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Ira Steven Behr and Robert Hewitt Wolfe, Legends of the Ferengi (1997), ISBN 0-671-00728-9. The authors worked on Star Trek: Deep Space Nine for several years and established most of what is known about the Ferengi. Daniel L. Bernardi, Star Trek and History: Race-ing Toward a White Future. New Brunswick and London: Rutgers University Press, 1998
The Star of David, a symbol of Judaism as a religion, and of the Jewish people as a whole. [1] It also thought to be the shield (or at least the emblem on it) of King David. Jewish lore links the symbol to the "Seal of Solomon", the magical signet ring used by King Solomon to control demons and spirits. Jewish lore also links the symbol to a ...
This flag has a white background and two horizontal blue stripes, charged with a blue Star of David (Magen David) in the middle. The flag was conceived during the period of the First Aliyah and was adopted as the flag of the Zionism since the movement's inception in 1897. The flag was officially chosen as the flag of the State of Israel on 28 ...
This is a category for image files depicting Jews and Judaism. For portrayals of Jews and Judaism in literature and other media, see Category:Jewish portrayals in media . Subcategories
Jewish religious clothing is apparel worn by Jews in connection with the practice of the Jewish religion. Jewish religious clothing has changed over time while maintaining the influences of biblical commandments and Jewish religious law regarding clothing and modesty . Contemporary styles in the wider culture also have a bearing on Jewish ...
The Palestinian version of the keffiyeh The Palestinian keffiyeh is a distinctly patterned black-and-white keffiyeh. White keffiyehs had been traditionally worn by Palestinian peasants and bedouins to protect from the sun, when Palestine was part of the Ottoman Empire. Its use as a symbol of Palestinian nationalism and resistance dates back to the 1936–1939 Arab revolt in Palestine, which ...
Although some images of Jews exist in the synagogue in Dura-Europos, and such images may have been common, their influence on the depictions of Jesus remains unknown. [82] Christian depictions of Jesus which were produced during the 3rd and 4th centuries typically focused on New Testament scenes of healings and other miracles. [84]