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The term "The Lick" was coined by an eponymous Facebook group in the 2010s and popularized by a YouTube video assembled from clips from the group by professor Alex Heitlinger in 2011. [5] " The Lick" was not first seen in jazz, as examples of classical music, such as The Firebird by Igor Stravinsky , include tonal sequences similar to "The Lick".
WSB in Atlanta, Georgia claims it was the first station to sound a musical identification at the end of programs, using a four-bar xylophone given to station manager Lambdin Kay by a performer, Nell Pendly. A three note signature, E-G-C, was developed, based on the first three notes from the chorus of the World War One classic "Over There". [5]
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
A music box (American English) or musical box (British English) is an automatic musical instrument in a box that produces musical notes by using a set of pins placed on a revolving cylinder or disc to pluck the tuned teeth (or lamellae) of a steel comb.
TIL there were different variations of The Simpsons opening theme because starting with season 2 they made 3 versions: the full 1-minute-15-second-long version, a 45-second and a 25-second.
Billy (1992) ("I've Told Every Little Star") – Sonny Rollins; The Bing Crosby Show "There's More to Life Than Just a Living" (opening theme) and "It All Adds Up to Love" (closing theme) by Bing Crosby; The Bionic Woman – Jerry Fielding; Bizaardvark ("Let's Go Make Some Videos") – Olivia Rodrigo and Madison Hu; Blackadder – Howard Goodall
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Candyman (Original Motion Picture Soundtrack) is the soundtrack to the 2021 film of the same name.Featuring the film's score composed by Lichens who credited under his original name Robert Aiki Aubrey Lowe, the score consisted of vocal performances by the composer as well as acoustic instruments sampled and manipulated through recordings of various sounds at live locations.