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"How He Loves" is a song by independent artist John Mark McMillan for his second studio album, The Song Inside the Sounds of Breaking Down. The song was successful despite the album's independent release, and has been covered by several well-known artists within the Christian music industry (David Crowder Band, Kim Walker, Todd Agnew, New Breed, Flyleaf, The Glorious Unseen) and Anthony Evans ...
This independent album was followed by The Song Inside: The Sounds of Breaking Down in 2005, which included the track "How He Loves". [2] The song was successful despite the album's independent release, and has been covered by several well-known artists within the Christian music industry including the David Crowder Band.
"How He Loves" 2009 8 RIAA: Platinum [5] Church Music "Oh, Happiness" 2010 38 "SMS (Shine)" 21 "Go, Tell It on the Mountain" 2011 34 Oh for Joy "The First Noel" 28 "Joy to the World" 27 "Let Me Feel You Shine" 20 Give Us Rest "After All (Holy)" 2012 19
Kim Walker-Smith (born December 19, 1981, as Kimberlee Dawn Walker) is an American singer, songwriter, worship leader, and recording artist.She produced her first solo album, Here Is My Song, which was released in February 2008 through the Jesus Culture record label.
The first single off the album was a cover of John Mark McMillan's song "How He Loves". Crowder received permission from McMillan to change the words "So heaven meets earth like a sloppy wet kiss" to "So heaven meets earth like an unforeseen kiss".
Elton John's gift may be his song, but that doesn't mean he loves them all.. During an appearance on The Late Show with Stephen Colbert on Tuesday, Dec. 17, the 77-year-old musician spoke about ...
Alfa Anderson, a vocalist known for her work with the iconic 1970s disco band Chic, has died. She was 78. Niles Rodgers, founder of Chic, shared the news in an Instagram post on Dec. 17. “RIP ...
He considered songs such as "We Are Loved" and "What a Miracle" prog rock and even noted the disco-rock of "Church Music - Dance (!)" as crossover-worthy. Taking the band's large electronic influence into account, he claimed the album attempted "to transform an entire genre with sequencers and club beats in tow."