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Tzaraath (Hebrew: צָרַעַת ṣāraʿaṯ), variously transcribed into English and frequently translated as leprosy (though it is not Hansen's disease, the disease known as "leprosy" in modern times [1]), is a term used in the Bible to describe various ritually impure disfigurative conditions of the human skin, [2] clothing, [3] and houses. [4]
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
While a number of biblical place names like Jerusalem, Athens, Damascus, Alexandria, Babylon and Rome have been used for centuries, some have changed over the years. Many place names in the Land of Israel, Holy Land and Palestine are Arabised forms of ancient Hebrew and Canaanite place-names used during biblical times [1] [2] [3] or later Aramaic or Greek formations.
Ethan (far right, in red robe), depicted in the Saint Mary Lutheran Church in Legnica Aethan or Ethan, from the Vivian Bible, circa 845 A.D., Carolingian Empire. Ethan (Hebrew: אֵיתָן, Modern: ʾĒtan, Tiberian: ʾĒṯān, "Firm") the Ezrahite, is mentioned in the Hebrew Bible. Ethan was a boy at King David's court well known for his wisdom.
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
This Hebrew noun occurs 30 times in the Masoretic Text of the Hebrew Bible (𝕸) and refers not only to the robe of the high priest but also any robe worn over a tunic by men of rank, such as the robe Jonathan gave to David, or his mantle which Job tore in desperation, and also the outer cloak of women, such as the robe worn by David's daughters.
Carnelian is a flesh-hued red, varying from the palest flesh-color to a deep blood-red. It is of a conchoidal structure. Normally its color is without clouds or veins; but sometimes delicate veins of extremely light red or white are found arranged much like the rings of an agate. Carnelian was historically popular for rings and seals.
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