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In the first years of the 19th century, many foreign artists visited and resided in Argentina, leaving their works. Among them were English mariner Emeric Essex Vidal (1791–1861), a watercolorist who left important graphic evidence of Argentine history; French engineer Carlos E. Pellegrini (1800–1875), who was devoted to painting out of necessity and who would be the father of president ...
La Reconquista de Buenos Aires (Spanish: The Reconquest of Buenos Aires) is an Argentine historical painting by Charles Fouqueray in 1909. It depicts the victory of Santiago de Liniers against William Carr Beresford during the first of the British invasions of the River Plate, and the subsequent recapture of Buenos Aires from the British.
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The culture of Argentina is as varied as the country geography and is composed of a mix of ethnic groups.Modern Argentine culture has been influenced largely by the Spanish colonial period and the 19th/20th century European immigration (mainly Italian and Spanish), and also by Amerindian culture, particularly in the fields of music and art.
The earliest rock art at the site was created around 7,300 BC. [4] Cueva de las Manos is the only site in the region with rock art of this age, categorized as the A1 and A2 styles of the cave, but after 6,800 BC similar art, particularly hunting scenes of styles A3, A4, and A5, was created at other sites in the region. [27]
العربية; Asturianu; Беларуская; Български; Català; Čeština; Cymraeg; Dansk; Deutsch; Ελληνικά; Español; Esperanto; Euskara ...
A self-referencing example of the art form. Fileteado (Spanish pronunciation: [fileteˈaðo]) is a type of artistic drawing and lettering, with stylised lines and flowered, climbing plants, typically used in Buenos Aires, Argentina. It is used to adorn all kinds of beloved objects: signs, taxis, trucks, and even old colectivos, Buenos Aires's ...
Through art, we help to disseminate the history of Argentina and thereby give a sound example of love of country." —Antonio Alice [ 7 ] At the 10th Salon Nacional de Bellas Artes, his work was described by the painter and art critic José León Pagano (1875-1964) as "struggling in vain with an ingrate theme...and his effort is limited to ...