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Chicago (retroactively known as Chicago II) is the second studio album by the American rock band Chicago, released on January 26, 1970, by Columbia Records. Like their debut album, Chicago Transit Authority , it is a double album.
"Chicago After Dark" – Chicago "Chicago Afterwhile" by Country Soul Revue featuring Dan Penn "Chicago Allstars Boogie" – Willie Dixon & The Chicago Allstars "Chicago at Night" – Spoon "Chicago Blues", 1946 – composers: Arthur Crudup, Ransom Knowling, Judge Riley "Chicago Blues" – Dion DiMucci "Chicago Blues" – Fletcher Henderson
"Chicago" (often listed as "Chicago / We Can Change the World") is the debut solo single by English singer-songwriter Graham Nash, released in 1971 from his debut solo album Songs for Beginners. The song reached number 35 on the US Billboard Hot 100 chart and number 29 on the Cash Box Top 100. [1] It is his highest-charting single.
According to William James Ruhlmann, de Oliveira was a "sideman" on Chicago VI and became an official member of the group in 1974. [50] Chicago VI featured two top ten singles, [20] "Just You 'n' Me", written by Pankow, and "Feelin' Stronger Every Day", written by Pankow and Cetera. Chicago VII was the band's double-disc 1974 release.
Chicago III is the third studio album by the American rock band Chicago. It was released on January 11, 1971, through Columbia Records . The album was produced by James William Guercio and was the band's third consecutive double album in less than two years.
Peter Cetera originally wrote "If You Leave Me Now" at the same time as Chicago VII's "Wishing You Were Here", and composed it on a guitar. [22] According to information on the sheet music for the song at MusicNotes, "If You Leave Me Now" is written in the key of B major, and Cetera's vocal range varies between F sharp 3 (F♯ 3) and D sharp 5 (D♯ 5).
"Colour My World" is the first significant hit by Chicago to largely abstain from their heavy woodwind and brass oriented sound. It became a popular "slow dance" song at high school proms, university dances and weddings during the 1970s. [4] [5] [6] Chicago continues to perform the song, either on its own, or as part of the Ballet.
The original recording features an electric guitar solo using a wah-wah pedal by Chicago guitarist Terry Kath, and a lead vocal line in the Aeolian mode. [8]According to the recollections of producer James William Guercio and horn player Lee Loughnane, Cetera had to record the vocal while his jaw was still wired together after he had been attacked at a baseball game at Dodger Stadium on May 20 ...