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Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts originating in the Second French Empire. It was characterized by elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights.
The column and the 1841 statue were seriously damaged by bombing in 1944, with the park around the column being turned into a German naval cemetery (with burials including that of Klaus Dönitz, son of admiral Karl Dönitz, in 1944). The original statue was replaced by a 4.75m high statue of Napoleon in chasseur uniform by Pierre Stenne). [6]
This study, however, along with historical events, proved to be the undoing of the style, although Second Empire buildings continued to be constructed until the end of the 19th century. The fall of Napoleon III and the Second Empire in 1870 and the French defeat in the Franco-Prussian War soured interest in French styles and taste.
Napoleon III (Charles-Louis Napoléon Bonaparte; 20 April 1808 – 9 January 1873) was President of France from 1848 to 1852 and then Emperor of the French from 1852 until his deposition in 1870. He was the first president, second emperor, and last monarch of France.
[CC 1] This limitation of the neo-Gothic style to reception rooms is also observed in his other castles. The style is reserved for rooms with a symbolic function, evoking the family's glorious past. Thus, the grand salon's fireplace at Challain includes an equestrian statue of François I de La Rochefoucauld, the godfather of King François I.
The Louvre's pavillon de l'Horloge, refaced in the 1850s at the eastern end of the Nouveau Louvre. The expansion of the Louvre under Napoleon III in the 1850s, known at the time and until the 1980s as the Nouveau Louvre [1] [2] [3] or Louvre de Napoléon III, [4] was an iconic project of the Second French Empire and a centerpiece of its ambitious transformation of Paris. [5]
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