Search results
Results from the WOW.Com Content Network
"City upon a hill" is a phrase derived from the teaching of salt and light in Jesus's Sermon on the Mount. [n 1] Originally applied to the city of Boston by early 17th century Puritans, it came to adopt broader use in political rhetoric in United States politics, that of a declaration of American exceptionalism, and referring to America acting as a "beacon of hope" for the world.
In the King James Version of the Bible the text reads: Ye are the light of the world. A city that is set on an hill cannot be hid. The World English Bible translates the passage as: You are the light of the world. A city located on a hill can't be hidden. The Novum Testamentum Graece text is: Ὑμεῖς ἐστε τὸ φῶς τοῦ ...
His illustrations of Dante's Divine Comedy were left unfinished upon his death. The completed engravings differ from Blake's original watercolours mainly in the complex marginal designs that they employ. These comment upon the text with biblical quotes and paraphrases, and also contain images that reinforce the themes of the main illustrations.
The parable is the source of the proverb "to hide one's light under a bushel", the use of the word "bushel", an obsolete word for bowl (now relegated to usage as a unit of measure), appearing in William Tyndale's translation of the New Testament: "Neither do men light a candle, and put it under a bushel, but on a candlestick, and it lighteth ...
The presentation of Moses with rays of light remained common until the 19th century, for example appearing in the Bible illustrations of Gustave Doré (1866). The Bible says that Moses' appearance had changed when he returned from his lengthy encounter with God on Mount Sinai, a change represented in art by the "horns" or rays. Logically, in ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ.Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. [1]