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Looking for ideas for a new subject, Adès saw Jonathan Kent's staging of Shakespeare's The Tempest at the Almeida Theatre in London in 2000. [7] For a new libretto, Adès turned to the experienced dramatist Meredith Oakes, whose work had included a short opera libretto for Miss Treat (2002); since the early 1990s, several original plays, translations and adaptations of classics and modern ...
Opera: 2003: The Tempest: for soloists, chorus and orchestra: libretto by Meredith Oakes based on the play by William Shakespeare; in 3 acts Orchestral: 2004: Overture to The Tempest: for orchestra: Vocal: 2004: Scenes from The Tempest: for Soloists and orchestra: Concertante: 2005: Violin Concerto: for violin and chamber orchestra: subtitled ...
The Tempest (2009) Tevot, Violin Concerto, Three Studies from Couperin, Dances from Powder Her Face (2010) Thomas Adès: Anthology (2011) including Concert Paraphrase on Powder Her Face and Three Mazurkas; In Seven Days (Signum Classics, Nicholas Hodges, Rolf Hind, Thomas Adès, 2011) Polaris (2012), download release.
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Traced Overhead is a composition for piano by the British composer Thomas Adès. The work was commissioned by the pianist Imogen Cooper and the Cheltenham Music Festival with additional funding from Arts Council England. Its world premiere was given at the Cheltenham Music Festival on July 20, 1996 by Imogen Cooper.
Thomas Adès curated the L.A. Phil's Gen X festival, a celebration of visionaries from that generation. A highlight: his orchestral "Dante."
Powder Her Face, Op. 14 (1995), is a chamber opera in two acts by the British composer Thomas Adès, with an English libretto by Philip Hensher. The opera is 100 minutes long. It was commissioned by the Almeida Opera, a part of London's Almeida Theatre, for performances at the Cheltenham Music Festival.
Brad Snelling’s childhood was filled with music thanks to his mother, who took him to numerous concerts and taught piano students in her home for more than three decades on Brazos Drive in Goddard.