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At the time of the prose poem's establishment as a form, French poetry was dominated by the alexandrine, a strict and demanding form that poets starting with Maurice de Guérin (whose "Le Centaure" and "La Bacchante" remain arguably the most powerful prose poems ever written [according to whom?]) and Aloysius Bertrand (in Gaspard de la nuit ...
Milton goes further than Lucan in this belief and "Paradise Lost and Paradise Regained carry further, too, the movement toward and valorization of romance that Lucan's tradition had begun, to the point where Milton's poems effectively create their own new genre". [8]
Because Peter Johnson does not guide himself either by the turns and counterturns of verse or the horizontal urge of prose, he must continually reinvent the wheel and its destination. He writes with a lover's lavish extravagance and a yogi's self-discipline. His funny poems are heartbreaking and his serious ones are hilarious.
The Party Train: A Collection of North American Prose Poetry; No Boundaries: Prose Poems by 24 American Poets (edited by Ray Gonzalez) The Best of the Prose Poem: An International Journal; Real Things: An Anthology of Popular Culture in American Poetry; Ladies, Start Your Engines: Women Writing on Cars and on the Road
The derived adjective prosimetrical occurs in English as early as Thomas Blount’s Glossographia (1656) where it is defined as "consisting partly of Prose, partly of Meteer or Verse". [7] Works such as historical chronicles and annals, which quote poetry previously composed by other authors, are not generally regarded as "true" prosimetra. [8]
The list of works in the Western canon varies according to the critic's opinions on Western culture and the relative importance of its defining characteristics. Different literary periods held great influence on the literature of Western and European countries, with movements and political changes impacting the prose and poetry of the period.
In this poem, Pessoa creates an inner struggle that the speaker has with trying to figure out whether it was fate or free will that has determined how his life panned out. By making the whole poem essentially one, elongated metaphor, Pessoa is able to give multiple interpretations to his poem.
Jon Davis received effusive praise from David Foster Wallace in an otherwise scathing criticism of prose poetry. Wallace wrote of Davis as "a poet whom this reviewer'd never heard of before but whose pieces in this anthology are so off-the-charts terrific that the reviewer has actually gone out and bought the one Jon Davis book mentioned in his bio-note and may very well decide to try to ...
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