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The white robe (白衣, hakue, byakue, shiraginu) worn on the upper body is a white kosode, with sleeves similar in length to those of a tomesode. [3] Originally, kosode sleeves were worn under daily clothing, but gradually became acceptable outerwear between the end of the Heian period and the Kamakura period [4] The red collar sometimes seen around the neck is a decorative collar (kake-eri ...
The hair is tied in a ponytail with a white and red hair ribbon. Miko traditions date back to the prehistoric Jōmon period [1] of Japan, when female shamans [citation needed] would go into "trances and convey the words of the gods" [citation needed] (the kami), an act comparable with "the pythia or sibyl in Ancient Greece." [18]
This page is subject to the extended confirmed restriction related to the Arab-Israeli conflict. Kufiyyeh Yemeni man wearing a keffiyeh in turban-style and a Yemeni shawl on his shoulder The keffiyeh or kufiyyeh, also known in Arabic as a hattah (حَطَّة, ḥaṭṭa), is a traditional headdress worn by men from parts of the Middle East. It is fashioned from a square scarf, and is usually ...
The traditional dress for men and women [59] is called djellaba (جلابة); a long, loose, hooded garment with full sleeves. The djellaba has a hood that comes to a point called a qob . The qob protects the wearer from the sun or in colder climates, like the mountains, the qob keeps in body heat and protects the face from falling snow.
The jewellery of the Berber cultures is a style of traditional jewellery worn by women and girls in areas inhabited by indigenous Amazigh people. Following long social and cultural traditions, the silversmiths of such ethnic groups created intricate jewellery to adorn their female customers.
This drawing style has also migrated into anime, as many manga are adapted into television shows and films and some of the well-known animation studios are founded by manga artists. In manga, the emphasis is often placed on line over form, and the storytelling and panel placement differ from those in Western comics.
The result was an animation with an anime-like visual style and a Japanese kaiju theme, that incorporated the cartoonish style of the Hanna-Barbera era in American TV animation. Likewise, Hanna-Barbera's earlier series Frankenstein Jr. was heavily inspired by the Gigantor anime series, although its art style was more similar to that of other ...
In the first example, her forehead is white as paper, the space between her eyes white and clear (a "milky way"), her colouring white and red (like rose and snow), and her teeth like ivory. In the second portrait, her forehead is like milk, teeth like ivory, neck like snow, legs fleshy (or white). [152]