Search results
Results from the WOW.Com Content Network
Tambuco has a repertoire ranging from structuralist [clarification needed] percussion music to a wide range of ethnic drum music and avant garde. The soundtrack for the 2015 James Bond film Spectre also features a performance by Tambuco in the opening track, "Los Muertos Vivos Estan".
Pauta: Cuadernos de teoría y crítica musical 6, no. 22 (April–June): 81–91. Orbón, Julián. 2015. "Carlos Chávez's Symphonies", translated, introduced, and annotated by Leonora Saavedra. In Carlos Chávez and His World, edited by Leonora Saavedra, 62–75. Princeton: Princeton University Press, 2015.
Download as PDF; Printable version; In other projects ... String Quartet No. 3 is a chamber-music work written in 1931 by the Mexican composer and ... Pauta 16, nos ...
Pauta: Cuadernos de teoría y crítica musical 6, no. 22 (April–June): 81–91. Pöhlmann, Egert, and Martin L. West. 2001. Documents of Ancient Greek Music: The Extant Melodies and Fragments, edited and transcribed with commentary by Egert Pöhlmann and Martin L. West. Oxford: Clarendon Press. ISBN 0-19-815223-X. Powers, Harold S. 2001 ...
The Symphony is divided into three movements: Allegro; Molto lento; Vivo non troppo mosso; In contrast to the Third Symphony, there are no formal innovations here. [2] The symphony is in the key of A—a sort of A minor tonality—though the overall character is brighter and more optimistic than the Third Symphony.
The Sinfonía de Antígona originated from the incidental music Chávez composed for a production of Jean Cocteau's adaptation of Sophocles' tragedy Antigone, given by the group Teatro Orientación at the Palacio de Bellas Artes in Mexico City in 1932. Chávez re-shaped some of the musical materials and orchestrated the result as his First ...
Pauta: Cuadernos de teoría y crítica musical 17, no. 69 (January–March): 29–34. Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação, edited by Marisa Rezende and Mário Nogueira, 71–76. Rio de Janeiro: Universidade Federal do ...
Carlos Sandoval Mendoza (born 1956, Mexico City) is a Mexican/German multidiscipline artist mostly recognized for his work joining technology and a Gestalt approach to the art of music composition, multi channel video, time-lapsed performance, AI-assisted art and Ink-Pen Drawing.