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The Musical Quarterly 46, no. 3 (July): 396–397. Orbón, Julián. 1987a. "Las sinfonías de Carlos Chávez." (part 1) Pauta: Cuadernos de teoría y crítica musical 6, no. 21 (January–March): 63–75. Reprinted as "Las sinfonías de Carlos Chávez" in: Julián Orbón. En la esencia de los estilos y otros ensayos, foreword by Julio Estrada ...
Sinfonía de Antígona (Antigone Symphony) is Carlos Chávez's Symphony No. 1, composed in 1933. The music originated as theatre music to accompany the tragedy of Antigone, hence the title of the symphony. The material was reworked into a single movement and rescored for a large orchestra. It lasts about 11 minutes in performance.
"Las sinfonías de Carlos Chávez." (part 1) Pauta: Cuadernos de teoría y crítica musical 6, no. 21 (January–March): 63–75. Reprinted as "Las sinfonías de Carlos Chávez" in: Julián Orbón. En la esencia de los estilos y otros ensayos, foreword by Julio Estrada, 148–158. Madrid: Editorial Colibrí, 2000.
Federico García Lorca in 1932. On 19 August 1936, the Spanish poet Federico García Lorca was murdered by fascist militia forces. Outraged, along with many other intellectuals and artists, in October Revueltas composed Homenaje a Federico García Lorca, one of his most important works, which was premiered on 14 November 1936 conducted by the composer.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
"Las sinfonías de Carlos Chávez." (part 1) Pauta: Cuadernos de teoría y crítica musical 6, no. 21 (January–March): 63–75. Reprinted as "Las sinfonías de Carlos Chávez" in: Julián Orbón. En la esencia de los estilos y otros ensayos, foreword by Julio Estrada, 148–58. Madrid: Editorial Colibrí, 2000.
"Las sinfonías de Carlos Chávez." (part 2). Pauta: Cuadernos de teoría y crítica musical 6, no. 22 (April–June): 81–91. Pöhlmann, Egert, and Martin L. West. 2001. Documents of Ancient Greek Music: The Extant Melodies and Fragments, edited and transcribed with commentary by Egert Pöhlmann and Martin L. West. Oxford: Clarendon Press.
Julián Orbón de Soto [1] (August 7, 1925, Avilés, Spain – May 21, 1991, Miami, Florida [2] was a Cuban composer who lived and composed in Spain, Cuba, Mexico, and the United States of America. Aaron Copland referred to Orbón as "Cuba's most gifted composer of the new generation."