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Sarva Dharma Sama Bhava is a concept coined by Mahatma Gandhi that embodies the equality of the destination of the paths followed by all religions. [1]The phrase is attributed to Mahātmā Gāndhi, who first used it in September 1930 in his communications to his followers to quell divisions that had begun to develop between Hindus and Muslims. [2]
Sadhana Sargam is an Indian singer, whose voice has been extensively recorded for thousands of tracks in Indian cinema. In addition to being a renowned playback singer, she is also a trained Hindustani classical singer who has recorded hundreds of bhajans, ghazals, and other spiritual tracks.
The philosopher Osho started his public speaking at the annual Sarva Dharma Sammelan held at Jabalpur since 1939, organized by the Taran Panthi Jain community, in which he was born. He participated from 1951 to 1968. [3] A Sarva Dharma Sammelan serves to support the view that all religions can coexist in harmony,. [4] [5]
Aap Ki Yaad Aati Rahi, Raat Bhar Gaman: Jaidev: Chhaya Ganguly: Hindi: Bhairavi: Mata Saraswati Sharda Vidya Dayi Dayani Alaap: Jaidev: Lata Mangeshkar, Dilraj Kaur Hindi: Bhairavi: Doli Chadhte (Hi) Heer Heer Raanjha: Madan Mohan (composer) Lata Mangeshkar: Hindi: Bhairavi: Madhukara Shyam Hamare Chor Bhakta Surdas: Gyan Dutt: K. L. Saigal ...
Sarva-Darsana Sangraha of Madhava Acharya: Review of Different Systems of Hindu Philosophy. New Delhi: Indian Books Centre/Sri Satguru Publications. ISBN 81-703-0875-5. Dalal, Roshen (2010). Hinduism: An Alphabetical Guide. Penguin. ISBN 978-0-14-341421-6.
Song Composer(s) Writer(s) Co-artist(s) Anmol Sitaare: 11 "Choron Ko Pakadne Ham Chale Hain" Nadeem-Shravan Kavi Pradeep Amit Kumar, Preeti Sagar, Sapna Mukherjee, Vinay Mandke 12 "Ye Duniya Hai Natakshala" Amit Kumar, Shabbir Kumar 13 "You Don't Know What We Are" Amit Kumar, Preeti Sagar, Anwar, Dilraj Kaur Anokha Bandhan: 14 "Tu Itani Door ...
Ārchika songs were sung on the basis of just one note, e.g. Sa Sa Sa, or Ni Ni Ni. This kind of chanting was well suited to Havana, Mantra-pātha and Japa Gāthik songs were hymns in praise of deities and used two notes, e.g. Ni Ni Ni Ni, Sa Sa Sa Sa. Sāmic songs for the first time used three notes. The word Sāmic is taken to mean three notes.
There is a legend related to the composition of this hymn. It is said that Adi Shankara, accompanied by his disciples, was walking along a street in Varanasi one day, when he came across an old aged scholar reciting the rules of Sanskrit grammar of Panini repeatedly on the street.