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The song, a twelve-bar blues, is punctuated with a syncopated backbeat, brief instrumental improvisations, upper-end piano figures, and intermittent blues harp provided by Wolf. [6] The lyrics caution about the "evil" that takes place in a man's home when he is away, concluding with "you better watch your happy home".
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart. [2] "
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
"Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...
Taylor Swift lyrics about feminism and friendship “Here’s a toast to my real friends. They don’t care about the he said, she said.” — “This Is Why We Can’t Have Nice Things” ...
Like she always does, Taylor Swift has been leaving secret messages for fans ahead of the release of her 11th album, The Tortured Poets Department — and even dropped a few new lyrics this time ...
They vary the chords in a 12-bar blues arrangement, which serves as a great tension-and-release pattern". [5] Jim Morrison also supplied some of his own lyrics and only used two of Dixon's verses from Howlin' Wolf's original. [12] Morrison provides the vocal, backed by Ray Manzarek on keyboards and piano, [13] Krieger on guitar, and Densmore on ...