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According to prominent art critic Hilton Kramer, "There is only one thing wrong with the essays Dubuffet has written on his own work: their dazzling intellectual finesse makes nonsense of his claim to a free and untutored primitivism. They show us a mandarin literary personality, full of chic phrases and up-to-date ideas, that is quite the ...
Aloïse Blanche Corbaz (28 June 1886 – 5 April 1964) was a Swiss outsider artist included in Jean Dubuffet's initial collection of psychiatric art. She is one of very few acclaimed female outsider artists.
La Chiffonnière ("Rag Woman") [1] is a stainless steel sculpture by French artist Jean Dubuffet, installed in Justin Herman Plaza, [2] [3] in San Francisco's Financial District, in the U.S. state of California. The 22-foot (6.7 m) tall, 4,500 pound artwork was conceived in 1972 and completed in 1978.
Aéroports de Paris Exhibits Jean Dubuffet - the Hourloupe Cycle; from Painting to Monumental Sculpture, in the Espace Musées (Museum Area) of Paris-Charles De Gaulle Airport PARIS--(BUSINESS ...
Koczy's work is housed in institutions such as the Guggenheim (both in New York and Venice), the Illinois Holocaust Museum and Education Center, the Milwaukee Art Museum, the Kupferberg Holocaust Resource Center and Art Gallery/Museum, the Collection de l'art brut in Lausanne (where in 1985 she inaugurated Jean Dubuffet's Neuve Invention Annex ...
Dubuffett was at the time a great admirer of American Jazz, in particular of Louis Armstrong.He created three Jazz inspired paintings in December 1944. He felt particularly inspired by their improvisational style of music to create works that could be seen as their equivalent in painting, like he stated in a 1963 letter. [2]
Cows and Groomers is an oil painting on canvas by the French artist Jean Dubuffet, dated from August 1943.It is held in the collection of the Unterlinden Museum in Colmar, Alsace (inventory number 2008.8.22). [2]
The Hourloupe cycle, and this work, also reflect Dubuffet's affinity for “art brut”—art produced by children, psychiatric patients, and other untrained artists. In addition, although Dubuffet did not consider himself a Surrealist, he was influenced by the surrealist interest in the unconscious. [1]