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A ceramic flux functions by promoting partial or complete liquefaction. [1] [2] The most commonly used fluxing oxides in a ceramic glaze contain lead, sodium, potassium, lithium, calcium, magnesium, barium, zinc, strontium, and manganese. These are introduced to the raw glaze as compounds, for example lead as lead oxide.
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The glaze is prepared from petuntse mixed with liquid lime, with less lime in the higher-quality glazes. The lime gives the glaze a hint of green or blue, a brilliant surface and a sense of depth. [6] Hard-paste porcelain is fired to temperatures of 1,260 to 1,300 °C (2,300 to 2,370 °F). [7] Soft-paste porcelain was invented in Europe. [7]
In combination with chromium compounds addition of 0.5–1.5% tin oxide to a glaze result in a pink colour, with such glazes being known as Chrome-tin pinks. [ 43 ] [ 44 ] In conjunction with small additions of zinc oxide and titanium oxide, additions of tin oxide up to 18% to lead glazes can produce a satin or vellum surface finish. [ 31 ]
A Christmas tree inside a home, with the top of the tree containing a decoration symbolizing the Star of Bethlehem. [18]The Christmas tree was first used by German Lutherans in the 16th century, with records indicating that a Christmas tree was placed in the Cathedral of Strassburg in 1539, under the leadership of the Protestant Reformer, Martin Bucer.
Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimize the adherence of pollutants. [1] Glazing renders earthenware impermeable to water, sealing the inherent porosity of earthenware. It also gives a tougher surface.
The displays utilize Christmas lights in many ways, including decking towering Christmas trees in public squares, street trees and park trees, adorning lampposts and other such structures, decorating significant buildings such as town halls and department stores, and lighting up popular tourist attractions such as the Eiffel Tower and the ...
In French faience, the in-glaze technique is known as grand feu ("big fire") and the one using enamels as petit feu ("little fire"). [4] Most styles in this group, such as Delftware , mostly used blue and white pottery decoration, but Italian maiolica was fully polychrome, using the range of in- and underglaze colours available.
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