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Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door. A typical panel would be cut to allow 1/4" (5 mm) between itself and the bottom of the groove in the frame.
The panels were not confined to just the walls of a room but were used to decorate doors, frames, cupboards, and shelves also. It was standard for mirrors to be installed and framed by the carved boiseries, especially above the mantelpiece of a fireplace. Paintings were also installed within boiseries, above doorways or set into central panels. [7]
In Japanese architecture, fusuma are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. [1] They typically measure about 90 cm (2 ft 11 in) wide by 180 cm (5 ft 11 in) tall, the same size as a tatami mat, and are 2–3 cm (0.79–1.18 in) thick.
Shoji paper sliding doors in the Rinshunkaku at Sankei-en (Important Cultural Property) Shoji doors next to the tokonoma alcove, Rinshunkaku A tatami room surrounded by paper shoji (paper outside, lattice inside). The shoji are surrounded by an engawa (porch/corridor); the engawa is surrounded by garasu-do, all-glass sliding panels.
It is a door with lites where all or some panels would be in a casement door. A French door traditionally has a moulded panel at the bottom of the door. It is called a French window when used in a pair as double-leaved doors with large glass panels in each door leaf, and in which the doors may swing out (typically) as well as in.
Associated interior demolition reveals wide feathered paneling behind the living room's plaster. The structural deficiency is solved by rebuilding part of the wall. In search of ideas for exterior paint colors, we visit historic Deerfield, Massachusetts, a town of remarkably preserved 18th and 19th century homes.
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