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Richard Ellmann, in his review of Station Island for The New York Review of Books, praised the collection writing, "Many of these poems have a tough rind as though the author knew that for his purposes deferred comprehension was better than instant. Obliquity suits him. Heaney's talent, a prodigious one, is exfoliating and augmenting here." [10]
Opened Ground: Poems 1966–1996 is a 1998 poetry collection by Seamus Heaney, published by Faber and Faber. It was published to replace his earlier 1990 collection titled New Selected Poems 1966–1987 , including poems from said collection and later poems published after its release.
Stations is a collection of prose poems by Seamus Heaney, who received the 1995 Nobel Prize in Literature. It was published in 1975. [1] [2] This particular collection presents a style of writing which was then new to Heaney, known as "verse paragraphs" or prose poems.
The Haw Lantern (1987) is a collection of poems written by Irish poet Seamus Heaney, the recipient of the Nobel Prize in Literature in 1995. Several of the poems—including the sonnet cycle "Clearances"—explore themes of mortality and loss inspired by the death of his mother, Margaret Kathleen Heaney (the "M.K.H." referenced in the dedication to "Clearances"), who died in 1984 and of his ...
In a 1981 interview with Frank Kinahan, Heaney said Field Work "was an attempt to try to do something deliberately: to change the note and to lengthen the line, and to bring elements of my social self, elements of my usual nature, which is more convivial than most of the poems before that might suggest, to try to bring all that into play. [3]
District and Circle is a poetry collection by Seamus Heaney, who received the 1995 Nobel Prize in Literature. It was published in 2006 and won the 2006 T. S. Eliot Prize, the most prestigious poetry award in the UK. [1] [2] The collection also won the Irish Times "Poetry Now Award". [note 1]
Seeing Things is the eighth poetry collection by Seamus Heaney, who received the 1995 Nobel Prize in Literature. It was published in 1991. It was published in 1991. Heaney draws inspiration from the visions of afterlife in Virgil and Dante Alighieri in order to come to terms with the death of his father, Patrick, in 1986.
The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems. There was also a section of prose pieces, which could have been studied in schools ...