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"Hoax" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). Swift wrote the track with its producer, Aaron Dessner; it was the last track she wrote for the album. A slow-paced piano ballad, "Hoax" is about a flawed but everlasting relationship; Swift describes the details using motifs and imagery.
One of the most anticipated moments of each night of Taylor Swift's Eras Tour is her acoustic set.. At the far end of her stage, the singer-songwriter plays two different songs, one on the guitar ...
By the time Swift concluded The Eras Tour in Vancouver on December 8, 2024, she performed all the songs from her self-titled debut record Taylor Swift, Speak Now (Taylor’s Version), 1989 (Taylor ...
"Everything Has Changed" is a song by the American singer-songwriter Taylor Swift featuring the English singer-songwriter Ed Sheeran from Swift's fourth studio album, Red (2012). It was released as the sixth single from the album on July 14, 2013, by Big Machine Records. A music video for the song was released earlier on June 6, 2013.
Two days later, Swift returned onstage to perform the song again as part of 99.7 Now!'s Poptopia in San Jose, California with the same setlist. [117] The next week Swift sang the song on three other occasions; the B96 Chicago and Pepsi Jingle Bash 2017 in Chicago, the Z100 Jingle Ball 2017 in New York City, and the Jingle Bell Ball 2017 in London.
She gets more foul-mouthed with age. Taylor Swift is increasing the number of curse words in her lyrics with every new album. The pop superstar’s 11th album “The Tortured Poets Department ...
Media publications interpreted "I Did Something Bad" as Swift's answer to the tumultuous media scrutiny on her personal life and celebrity, affected by the publicized disputes and relationships with other celebrities. [16] [18] In the song, Swift portrays a self-confident character who is unapologetic for her success and defies her detractors. [15]
In June 2022, Insider ranked "Safe & Sound" as Swift's best soundtrack song. [31] Vulture's Nate Jones hailed the song as Swift's "best soundtrack cut by a country mile" and lauded her vibrato vocals that were outside her usual singing range. [20] Rob Sheffield of Rolling Stone agreed: "She explores crevices in her voice she'd never opened up ...