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Wood carving. Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual ...
Mexican ironwood carvings. Mexican ironwood carving is a Mexican tradition of carving the wood of the Olneya tesota tree, a Sonora Desert tree commonly called ironwood (palo fierro in Spanish). Olneya tesota is a slow growing important shade tree in northwest Mexico and the southwest U.S. The wood it produces is very dense and sinks in water.
Columbus, Ohio, U.S. Elijah Pierce (1892–1984) was a 20th-century wood carver. He began carving at a young age using a pocket knife. He first started carving animals because of his prior life of growing up on a farm. Pierce was honored in 1982 with a National Heritage Fellowship for his art and influence in the woodcarving community.
Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. [1] Often called the unofficial Artist Laureate of Portland, [2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic ...
Anderson with Sad Eye Joe in Knott's Berry Farm, 1941. Herbert S. Anderson (October 7, 1892 – August 20, 1960), known commonly as H. S. "Andy" Anderson, was an American woodcarver, one of the recognized masters of 20th-century woodcarving, most famous for Scandinavian flat-plane style of woodcarving and caricature carving.
Alois Lang. Alois Lang (1872–1954) was a Master Woodcarver at the American Seating Company, and one of the artists responsible for bringing the medieval art of ecclesiastical carving to life in the United States. Lang was born in Oberammergau in Bavaria, a town known for its excellence in wood carving. He was apprenticed to his cousin Andreas ...
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