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The parallel development of German Romanticism also produced Christian religious poetry by Annette von Droste-Hülshoff and Clemens Brentano, as well as the rediscovery and publication of ancient and Medieval religious poetry by linguists and antiquarians like Baron Joseph von Laßberg, Friedrich Blume, and Johann Martin Lappenberg.
The hymn's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. It became prevalent in American publications but not English ones.
The words of the hymn were initially written by St. Francis of Assisi [2] in 1225 in the Canticle of the Sun poem, which was based on Psalm 148. [3] The words were translated into English by William Draper, who at the time was rector of a Church of England parish church at Adel near Leeds. Draper paraphrased the words of the Canticle and set ...
Of the day and of the night, Hill and vale, and tree and flower, Sun and moon and stars of light: Christ, our God, to Thee we raise This our Sacrifice of Praise. For the joy of ear and eye, For the heart and brain's delight, For the mystic harmony Linking sense to sound and sight: Christ, our God, to Thee we raise
In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm ...
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The dating of the poems' composition has been tied to the dating of Donne's conversion to Anglicanism. His first biographer, Izaak Walton, claimed the poems dated from the time of Donne's ministry (he became a priest in 1615); modern scholarship agrees that the poems date from 1609 to 1610, the same period during which he wrote an anti-Catholic polemic, Pseudo-Martyr.
fill us with the light of day. All Thy works with joy surround Thee Earth and heav'n reflect Thy rays Stars and angels sing around Thee center of unbroken praise Field and forest, vale and mountain Flow'ry meadow, flashing sea chanting [a] bird and flowing fountain call us to rejoice in Thee. Thou art giving and forgiving ever blessing, ever blest
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