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Popcorn ceiling texture. A popcorn ceiling, also known as a stipple ceiling or acoustic ceiling, is a ceiling with one of a variety of spray-on or paint-on treatments. [1] The bumpy surface is created by tiny particles of vermiculite or polystyrene, which gives the ceiling sound-deadening properties. Mixtures are available in fine, medium, and ...
The elegantly decorated ceilings, the domical ceiling of the open mantapa, the sculptures of Dwarapalakas (door keepers) in the closed mantapa (also called navaranga), the wall panel images numbering 120 (on pilasters between aedicules–miniature towers) carved on the outer walls are noteworthy.
Download QR code; Wikidata item; Print/export Download as PDF; Printable version; In other projects ... Types of ceilings in houses, ...
Artex differs from plaster in that it was marketed as a material intended to receive a textured finish, thus enabling a ceiling to be finished without plastering skills. It was widely used in Britain in the 1970s, mainly with the familiar stippled and swirled patterns. Artex was also occasionally used on walls. [2]
Assam-type architecture also known as "Beton" or "Baton" is an architectural style developed in the state of Assam in India during the late modern period. It is found in Assam and Sylhet region. The houses constructed using this style are generally termed as Assam-type houses, consisting usually one or more storeys. [1]
A dropped ceiling is a secondary ceiling, hung below the main (structural) ceiling. It may also be referred to as a drop ceiling, T-bar ceiling, false ceiling, suspended ceiling, grid ceiling, drop in ceiling, drop out ceiling, or ceiling tiles and is a staple of modern construction and architecture in both residential and commercial applications.
Villages in India have features such as courtyards, loggias, terraces and balconies. [125] Calico, chintz, and palampore—of Indian origin—highlight the assimilation of Indian textiles in global interior design. [128] Roshandans, which are skylights-cum-ventilators, are a common feature in Indian homes, especially in North India. [129] [130]
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...