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The nursery rhyme was first published by the Boston publishing firm Marsh, Capen & Lyon, as a poem by Sarah Josepha Hale on May 24, 1830, and was possibly inspired by an actual incident. [1] As described in one of Hale's biographies: "Sarah began teaching young boys and girls in a small school not far from her home [in Newport, New Hampshire ...
The terms "nursery rhyme" and "children's song" emerged in the 1820s, although this type of children's literature previously existed with different names such as Tommy Thumb Songs and Mother Goose Songs. [1]
The rhyme was first collected in Britain in the late 1940s. [2] Since teddy bears did not come into vogue until the twentieth century it is likely to be fairly recent in its current form, but Iona and Peter Opie suggest that it is probably a version of an older rhyme, "Round about there": [2]
A nursery rhyme is a traditional poem or song for children in Britain and other European countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes. [1] From the mid-16th century nursery rhymes began to be recorded in English plays, and most popular ...
The rhyme was first recorded when published in Mother Goose's Melody in London around 1765. In this version the names of the birds were Jack and Gill: There were two blackbirds Sat upon a hill, The one was nam'd Jack, The other nam'd Gill; Fly away Jack, Fly away Gill, Come again Jack, Come again Gill. [1]
"Mary, Mary, Quite Contrary" is an English nursery rhyme. The rhyme has been seen as having religious and historical significance, but its origins and meaning are disputed. It has a Roud Folk Song Index number of 19626.
The earliest recorded version of the rhyme appears in Thomas D'Urfey's play The Campaigners from 1698, where a nurse says to her charges: ...and pat a cake Bakers man, so I will master as I can, and prick it, and prick it, and prick it, and prick it, and prick it, and throw't into the Oven.
As with many nursery rhymes, attempts have been made to find origins and meanings for the rhyme, most of which have no corroborating evidence. [1] Katherine Elwes Thomas in The Real Personages of Mother Goose (1930) suggested the rhyme referred to resentment at the heavy taxation on wool. [6]