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The first stage of the Harlem Renaissance started in the late 1910s. In 1917, the premiere of Granny Maumee, The Rider of Dreams, and Simon the Cyrenian: Plays for a Negro Theater took place. These plays, written by white playwright Ridgely Torrence, featured African-American actors conveying complex human emotions and yearnings.
The Harlem Renaissance from 1920 to 1940 brought worldwide attention to African American literature. For many years, especially in the 1920s, Harlem was home to a flourishing of social thought and culture that took place among numerous Black artists, musicians, novelists, poets, and playwrights.
Harlem in New York City was widely noted as a black mecca during the 1920s and 1930s. In March 1925 the leading magazine Survey Graphic produced an issue entitled "Harlem: Mecca of the New Negro" [4] that was devoted to the African-American literary and artistic movement now known as the "Harlem Renaissance". Alain Locke guest-edited this issue.
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Melvin Beaunorus Tolson (February 6, 1898 – August 29, 1966) was an American poet, educator, columnist, and politician. As a poet, he was influenced both by Modernism and the language and experiences of African Americans, and he was deeply influenced by his study of the Harlem Renaissance.
In the 1920s, the concentration of Black people in New York led to the cultural movement known as the Harlem Renaissance, whose influence reached nationwide. Black intellectual and cultural circles were influenced by thinkers such as Aimé Césaire and Léopold Sédar Senghor , who celebrated Blackness, or négritude ; arts and letters flourished.
John C. Walker,The Harlem Fox: J. Raymond Jones at Tammany 1920:1970, New York: State University New York Press, 1989. David N. Dinkins, A Mayor's Life: Governing New York's Gorgeous Mosaic, PublicAffairs Books, 2013; Rangel, Charles B.; Wynter, Leon (2007). And I Haven't Had a Bad Day Since: From the Streets of Harlem to the Halls of Congress ...
Historically, the term is present in African American discourses since 1895, but is most recognized as a central term of the Harlem Renaissance [2] (1917-1928). The term has a broad relevance to the period in U.S. history known as the Post-Reconstruction, whose beginnings were marked symbolically by the notorious compromise of 1877 and whose impact upon black American lives culminated in the ...