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"Don't Leave Me" is a song by American R&B group Blackstreet, produced by Teddy Riley and released in February 1997 as the third single from their second album, Another Level (1996). It contains a sample of the DeBarge song " A Dream ", also used in " I Ain't Mad at Cha " by Tupac Shakur.
The main section of "Don't Leave Me Now", recorded with synthesizer bass, organ, piano, and a delay-treated guitar, does not adhere to one single key, but rather cycles slowly through four dissonant and seemingly-unrelated chords, for two measures of each: An E augmented chord, followed by a D flat major seventh chord, a B flat dominant seventh chord with a suspended second, followed by a G ...
Roosevelt Harrell III (born February 20, 1972), known professionally as Bink, is an American hip hop producer from Norfolk, Virginia, who is noted for his work with Roc-A-Fella Records artists. His most high-profile work has been Jay-Z 's critically acclaimed album The Blueprint , for which he produced three tracks.
"Lucy Leave" was released unofficially as a single without a label, The B-side featured the song "I'm A King Bee". [6] Both songs were recorded around the same time. In Echoes : The Complete History of Pink Floyd , Glenn Povey writes that "Lucy Leave" "shows the band performing a very straightforward R&B style". [ 6 ]
The chord structure, melody, and lyrics are all completely different. Brel's song was written in the key of A minor, in 3/4 time. It is a slow, haunting story of a man trying to win back his former lover—a song about the cowardice of men according to Brel. [ 1 ]
Don't Leave Me Now may refer to: "Don't Leave Me Now" (Pink Floyd song), 1979 "Don't Leave Me Now", a song by Elvis Presley from Loving You, 1957
"Please Don't Leave Me" is a song from American singer Pink and the third single taken from her fifth studio album Funhouse. It was released on February 16, 2009. It was released on February 16, 2009.
Don't Leave Me This Way" is a song written by Kenneth Gamble, Leon Huff and Cary Gilbert. It was originally released in 1975 by Harold Melvin & the Blue Notes featuring Teddy Pendergrass , an act signed to Gamble & Huff's Philadelphia International label.