Search results
Results from the WOW.Com Content Network
"Baby Blue" was released as a single in the US on 6 March 1972, in a blue-tinted picture sleeve and featuring a new mix. [1] Because Al Steckler, the head of Apple US, felt that it needed a stronger hook in the opening, he remixed the track with engineer Eddie Kramer in February 1972, applying heavy reverb to the snare during the first verse and middle eight. [1]
A more comprehensive collection, with tracks from both record labels, was the 2000s The Very Best of Badfinger. [129] In 2013, a new compilation titled Timeless was issued by EMI/Universal both to capitalise on the use of "Baby Blue" in the finale of Breaking Bad and to include the 2010 remastered versions of Badfinger's songs on a greatest ...
The song is notable for being one of the first successful records associated with the power pop sound, using all of the elements attributed to the genre. A subsequent single released by Badfinger, "Baby Blue" (Billboard number 14, 1972), along with several album tracks in a similar vein, succeeded in categorizing the band themselves as power pop.
Baby Blue is an album by the American musician Mary Lou Lord, released in 2004. [ 1 ] [ 2 ] The album is dedicated to Elliott Smith . [ 3 ] Lord supported it with a North American tour, while maintaining her tradition of busking in various cities.
Straight Up is the fourth studio album by the Welsh rock band Badfinger, released in December 1971 in the United States and February 1972 in Britain.Issued on the Beatles' Apple record label, it includes the hit singles "Day After Day" and "Baby Blue", and the similarly popular "Name of the Game", all of which were written by singer and guitarist Pete Ham.
Peter William Ham [1] (27 April 1947 – 24 April 1975) was a Welsh singer, songwriter and guitarist best known as a lead vocalist of and composer for the 1970s rock band Badfinger, whose hit songs include "No Matter What", "Day After Day" and "Baby Blue".
Until further notice, this is blue heaven, and far as we know, the Dodgers can simply sit back and let greatness come to them. Potential solution: Rōki Sasaki, international free agent RHP.
The song not only notes the requirement that Baby Blue leave, but also includes the hope that Baby Blue will move forward, in lines such as "Strike another match, go start anew". [1] Alternatively, the vagabond and "stepping stones" referenced in the song have been interpreted as Dylan's folk audience whom he needs to leave behind.