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First duophonic synthesizer (capable of playing two notes at once) [5] 1975 Moog Music: Polymoog [17] 1969 EMS: VCS3 [5] 1976 Yamaha: CS-80 [5] 1978 Korg: MS-20 [5] 1981 PPG: Wave [5] 1991 Korg: 01/W [18] 1997 Propellerhead Software: ReBirth: One of the first software synthesizers that could be played in real time via MIDI [19] 1996 Roland: JP-8000
The Yamaha DX7 is a synthesizer manufactured by Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers.
Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the").
Synthesizers came to dominate the pop music of the early 1980s, particularly through their adoption by bands of the New Romantic movement. [75] Despite synth-pop's origins in the late 1970s among new wave bands like Tubeway Army and Devo, British journalists and music critics largely abandoned the term "new wave" in the early 1980s. [76]
The Yamaha CS-80 is an analog synthesizer introduced by Yamaha Corporation in 1977. [2] It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital ...
In the 70s and 80s, synthesizers were used in the scores for thrillers and horror films including A Clockwork Orange (1971), Apocalypse Now (1979), The Fog (1980) and Manhunter (1986). Brad Fiedel used a Prophet synthesizer to record the soundtrack for The Terminator (1984), [51] and the filmmaker John Carpenter used them extensively for his ...
Korg Opsix - altered FM-synthesizer with 3-octave keyboard. Operators can do FM, Ring Mod, Filter FM, as well as act as either a filter or wavefolder; Korg ARP 2600FS - semi-modular synthesizer, a reproduction of their ARP 2600 synthesizer from the 70s. Korg RK-100S v2 - update to the new version from 2014 of the popular keytar from the 80s.
In 1983, Yamaha released the DX7 digital synthesizer, which was cheaper than its analog counterparts. Studios and producers increasingly used digital synthesizers over analog synthesizers into the late 1980s and 1990s, [1] causing many analog synthesizer companies, including Moog, ARP and Sequential Circuits, to go out of business. [2] [3] [4] [5]
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