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The Goldberg Variations (German: Goldberg-Variationen), BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg , who may also have been the first performer of the work.
Open Goldberg Variations embraces open standards and coined the term "Open Source Bach" [6] in reference to the ideals of Open Source Software. The score and the recording were released into the public domain using the Creative Commons Zero ( CC0 ) license tool [ 7 ] on May 28, 2012.
Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of Clavier-Übung. Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830. Minuet in F major, BWV Anh. 113.
J.S. Bach: Goldberg Variations is a live solo classical album by American jazz pianist Keith Jarrett recorded at the Yatsugatake Kohgen Ongakudoh in Japan over three days in January 1989 and released on the ECM New Series later that year, consisting a complete performance of Johann Sebastian Bach's Goldberg Variations on harpsichord.
This is a list of commercial or professional recordings of Johann Sebastian Bach's Goldberg Variations, organized chronologically. The list is sortable by clicking on the small arrows at the top of each column.
The most famous part of Goldberg's life is the portion, probably in 1741, recounted by J. S. Bach's biographer Johann Nikolaus Forkel, concerning the composition of a set of variations by Bach to help the insomniac Count Keyserling pass sleepless nights. Keyserling's favorite chamber harpsichordist was the 14-year-old Goldberg, whose technical ...
In 1925, Friskin was the first pianist to perform J. S. Bach's Goldberg Variations in the United States; [6] and in 1934 he performed both books of Bach's Well-Tempered Clavier in two New York recitals. [6] He eventually recorded the Goldberg Variations in 1956, a year after Glenn Gould's celebrated recording.
Wanda Aleksandra Landowska (5 July 1879 – 16 August 1959) [1] was a Polish harpsichordist and pianist whose performances, teaching, writings and especially her many recordings played a large role in reviving the popularity of the harpsichord in the early 20th century.
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