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Osvaldo Pedro Pugliese (December 2, 1905 – July 25, 1995) [1] was an Argentine tango musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances.
Eduardo Arolas (February 24, 1892 – September 29, 1924) was an Argentine tango bandoneon player, leader and composer. Arolas first learned to play the guitar before learning the bandoneon which became his instrument of choice. His nickname was El Tigre del bandoneón (the tiger of the bandoneon).
tango Criollita, decí que sí Carlos Gardel Alfredo Le Pera canción Cuerpo de alambre Ángel Villoldo Ángel Villoldo not found in SADAIC tango Cuesta abajo Carlos Gardel Alfredo Le Pera tango Cuidado con los cincuenta = Cuidado con los 50 Ángel Villoldo Ángel Villoldo tango Cuyanita Carlos Gardel Carlos Gardel Deje que la acompañe
Tango soon gained popularity in Europe, beginning in France. Superstar Carlos Gardel soon became a sex symbol who brought tango to new audiences, especially in the United States, due to his sensual depictions of the dance in film. In the 1920s, tango moved out of the lower-class brothels and became a more respectable form of music and dance.
Carlos Gardel (born Charles Romuald Gardès; 11 December 1890 – 24 June 1935) was a French-born Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango.
"El día que me quieras" (English: The day that you love me) is an Argentine tango with music by Carlos Gardel and lyrics by Alfredo Le Pera. It is considered one of the most popular songs of the 20th century and one of the best Latin songs of all time. [1]
María" is a 1945 tango written by Aníbal Troilo with lyrics by Cátulo Castillo, and first sung by Alberto Marino in the same year. [1] [2] [3] ...
Amelita Baltar in 2016. María Amelia Baltar (September 24, 1940), better known as Amelita Baltar, is an Argentine singer, one of the leading voices of tango, that appeared in the 60's to be considered, along with Susana Rinaldi, as a modern counterpart of older divas such as Libertad Lamarque and Tita Merello.