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The first prerecorded reel-to-reel tapes were introduced in the United States in 1949; the catalog contained fewer than ten titles with no popular artists. In 1952, EMI started selling pre-recorded tapes in Great Britain. The tapes were two-sided and mono (2 tracks) and were duplicated in real time on modified EMI BTR2 recorders.
The special track configuration and the higher speed of pre-recorded Q4 reels means that the tape length is four times longer than a comparable stereo tape recorded at 3¾ IPS. The four fully discrete tracks had full-bandwidth (unlike Q8 cartridges which had a more limited frequency range). Q4 tapes used a faster speed and wider track width ...
Through various contacts in the radio industry, a number of pioneering bootleggers managed to buy a reel-to-reel tape containing a selection of unreleased Dylan songs intended for distribution to music publishers and wondered if it would be possible to manufacture them on an LP. They managed to convince a local pressing plant to press between ...
Pre-recorded four channel reel-to-reel tapes were recorded at 7 1 ⁄ 2 inches per second (IPS), which is the fastest speed used for consumer grade reel-to-reel machines. By comparison stereo pre-recorded reel-to-reel tapes have 2 different programs with each running the opposite direction. Many stereo tapes were recorded at only 3 3 ⁄ 4 IPS ...
RCA was slow to produce machines for the home market. They were also slow to license pre-recorded music tapes for home playback. Cost was also an issue, with a single cartridge costing US$4.50 in 1960 ($46 with inflation today) compared to a 1,200 foot (365 m) reel of tape, which cost $3.50 ($36 today). [4]
Early 10" jazz title World Record Club disc in original universal printed fablothene sleeve.. The World Record Club Ltd. was the name of a company in the United Kingdom which issued long-playing records and reel-to-reel tapes, mainly of classical music and jazz, through a membership mail-order system during the 1950s and 1960s.
AMPEX quadruplex VR-1000A, the first commercially released video tape recorder in the late 1950s; quadruplex open-reel tape is 2 inches wide The first portable VTR, the suitcase-sized 1967 AMPEX quadruplex VR-3000 1976 Hitachi portable VTR, for Sony 1" type C; the source and take-up reels are stacked for compactness. However, only one reel is ...
The new label was targeted to release recordings in the Command vein, employing quality stereo recording techniques, marketed at a premium price. Albums were released in three formats, as phonograph records, reel-to-reel pre-recorded tapes, and 8-track tapes. [1]
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