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The Incredible String Band (sometimes abbreviated as ISB) were a British psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Edinburgh in 1966. [1] Following Palmer's early departure, Williamson and Heron continued as a duo and were eventually augmented by other musicians such as Licorice McKechnie , Rose Simpson ...
The 5000 Spirits or the Layers of the Onion is the second album by the Scottish psychedelic folk group the Incredible String Band (ISB). It was released in July 1967 on Elektra Records. The album was recorded following the reformation of the band as a duo consisting of Robin Williamson and Mike Heron.
I Looked Up (Elektra EKS 2469 002 / U.S. LP: EKS-74061) is the sixth album by the Incredible String Band.Recorded at a time when the band was busy rehearsing for their ambitious upcoming stage show, U, the album has been described by band member Robin Williamson as a "quickie" album.
The Hangman's Beautiful Daughter is the third album by Scottish psychedelic folk group the Incredible String Band (ISB), and was released in March 1968 on Elektra Records (see 1968 in music). It saw the band continuing its development of the elements of psychedelic folk and enlarging on past themes, a process they had begun on their previous ...
Wee Tam and the Big Huge is the fourth album by the Scottish psychedelic folk group the Incredible String Band, released in 1968 by Elektra Records as both a double LP (in Europe) and separate single LPs (in the US) known individually as Wee Tam and The Big Huge.
The Chelsea Sessions 1967 is a compilation album by the Scottish psychedelic folk group the Incredible String Band, which compiles their demo recordings prior to their second studio album, The 5000 Spirits or the Layers of the Onion. Other tracks were also produced during the Wee Tam and the Big Huge sessions in 1968.
Liquid Acrobat as Regards the Air is the ninth album by the Incredible String Band.It features Mike Heron, Robin Williamson, Licorice McKechnie and Malcolm Le Maistre.The album was the band's first almost entirely electric recording; a new feature that was to define the change in the band's sound throughout their final period through 1974.
Writer Dan Lander described the song as Mike Heron's masterpiece. He wrote: [5] "Weaving between styles as divergent as Bahamian funerary music, East Indian incantation and ancient Celtic mysticism, 'A Very Cellular Song' represents a high point in the band's creativity and surely influenced a host of others including Led Zeppelin, the Who and Lou Reed.
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