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Prayopavesa (Sanskrit: प्रायोपवेशनम्, prāyopaveśanam, lit. ' resolving to die through fasting ') [1] [2] is a practice in Hinduism that ...
A few drops of water are taken in the hand while chanting the related mantra. The practitioner mentally induces the Pāpapuruṣa (personification of sin) to exit through the nose into the water, which is then thrown to the left side. In the Yajurveda Sandhyā, the meaning of the mantra is:
Tarakabrahma Mantra (Sanskrit: तारकब्रह्ममन्त्र, IAST: Tārakabrahmanmantra), also is called Tarakabrahma Nama, is the mahamantra of ...
A mantra (Pali: mantra) or mantram (Devanagari: मन्त्रम्) [1] is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words (most often in an Indo-Iranian language like Sanskrit or Avestan) believed by practitioners to have religious, magical or spiritual powers.
The translation and meaning of the Mantra can be understood when the context in which the Mantra is quoted in the Upanishad is known. Prior understanding of Vedanta is essential for translation and explanation of these Mantra. The Brihadaranyaka Upanishad explains Consciousness and it in this context that this Shanti Mantra needs to be understood.
The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
The technique is recommended for 20 minutes twice per day. [10] According to the Maharishi, "bubbles of thought are produced in a stream one after the other", and the Transcendental Meditation technique consists of experiencing a "proper thought" in its more subtle states "until its subtlest state is experienced and transcended".
The Śiva·sūtras, technically akṣara·samāmnāya, variously called māheśvarāṇi sūtrāṇi, pratyāhāra·sūtrāṇi, varṇa·samāmnāya, etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.