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"With Pen in Hand" is a song written by Bobby Goldsboro and first released on his March 1968 album, Honey. [1] The song's lyrics address the subjects of divorce and losing custody of one's child, and are sung from the perspective of the parent who expects to be losing custody of their child, as they make a final plea to their spouse to reconcile before the divorce is finalized.
"Words" is a song by English band the Christians. It was the first single from their second album, Colour (1990). Released on 11 December 1989, the song reached number 18 on the UK Singles Chart and became a number-one hit in France, where it topped the SNEP chart for two weeks in May 1990. "Words" additionally became a top-10 hit in Belgium ...
"Words" is a song written by Tommy Boyce and Bobby Hart and released by the Monkees. An early version by the Leaves appeared on their 1966 album Hey Joe . [ 2 ] The Monkees first recorded the song for their second album, More of The Monkees , in August 1966 under the supervision of Boyce and Hart.
The piece, initially called "Hit Me Baby," was written by Swedish music producer and songwriter Max Martin for TLC, the three-woman American R&B group. We finally know the meaning of 'Hit Me Baby ...
Bailey thought the song was a scream (i.e. very good), and he brought home a dashed-off copy of the song to show Sarah. Sarah couldn't see the humor...[but] accepted without comment the picture it drew of her as a wife." Cannon sold all rights to the song to a New York publisher, and he died from cirrhosis at age 35.
The song reached No. 1 in Germany, Canada, Switzerland and the Netherlands. "Words" was the Bee Gees third UK top 10 hit, reaching number 8 on the UK Singles Chart, and in a UK television special on ITV in December 2011 it was voted fourth in "The Nation's Favourite Bee Gees Song". [1]
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The show was the first stage musical that Berlin wrote. It ran for 175 performances at the New Amsterdam Theater in New York City.The one song from the show that is well-remembered today is "Play a Simple Melody," one of the few true examples of counterpoint in American popular music — a melody running against a second melody, each with independent lyrics.