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The Allegory of Prudence (c. 1550–1565) is an oil-on-canvas painting attributed to the Italian artist Titian and his assistants. The painting portrays three human heads, each facing in a different direction, above three animal heads (from left to right, a wolf, a lion and a dog). It is in the National Gallery, London. [1]
Engraving by Martino Rota, c. 1560.Sheet 15 13/16 x 10 11/16 in. (40.1 x 27.2 cm) Early copy in Palermo In 1528 Titian took part in a competition with Il Pordenone and Palma il Vecchio for the commission for a large altarpiece showing the martyrdom of Saint Peter Martyr for the altar of that saint's confraternity in San Zanipolo, the main Dominican centre in Venice. [3]
The Allegory of Age Governed by Prudence (c. 1565–1570) is thought to depict (from left) Titian, his son Orazio, and his nephew, Marco Vecellio. National Gallery, London. Titian's wife, Cecilia, was a barber's daughter from his hometown village of Cadore. As a young woman she had been his housekeeper and mistress for some five years.
Aldobrandini Madonna (Titian) Allegory of Prudence; B. Bacchus and Ariadne; D. The Death of Actaeon; Diana and Actaeon (Titian) Diana and Callisto; H. Holy Family ...
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Titian had always intended to be buried in the church in Pieve di Cadore where he was baptized. [20] He frequently visited the village, on the edge of Venetian territory in the mountains some 110 km almost due north of the city, although he had left the village for Venice more than 75 years before his death in 1576. [21]
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However, others identify the painting as part of Titian's series of half-length female figures from 1514 to 1515, which also includes the Flora at the Uffizi, the Woman with a Mirror at the Louvre, the Violante and the Young woman in a black dress in Vienna, Vanity in Munich and the Salome at the Galleria Doria Pamphilj.