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A Dictionary of Ballet Terms (3rd revised ed.). New York: Da Capo Press. ISBN 0-306-80094-2. OCLC 4515340. Minden, Eliza Gaynor (2005). The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet. New York: Simon and Schuster. ISBN 0-7432-6407-X. OCLC 58831597. Glossary of Dance Terms. New York: New York City Ballet ...
In 1830, Italian ballet teacher and writer Carlo Blasis (1803–1878) published his second work on the analysis of ballet technique, called The Code of Terpsichore. [1] This work was composed of figures, or illustrations, organized alphabetically, inscribing the ideal forms of poses, steps, and jumps in ballet.
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A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
The practice of using solo voices on each musical line or part in choral music. ordinario (ord.) (Ital.) or position ordinaire (Fr.) In bowed string music, an indication to discontinue extended techniques such as sul ponticello, sul tasto or col legno, and return to normal playing. The same as "naturale". organ trio
When performing jumps and leaps, classical ballet dancers strive to exhibit ballon, the appearance of briefly floating in the air. Pointe technique is the part of ballet technique that concerns pointe work, in which a ballet dancer supports all body weight on the tips of fully extended feet on specially designed and handcrafted pointe shoes. In ...
Ballet music was an accompaniment for the solo and ensemble dances. Tchaikovsky's Swan Lake was the first ballet score to be created by a symphonic composer. Following the initiative of Tchaikovsky, ballet composers were no longer writing simple, easily danceable pieces.
In 2018, at New York City Ballet's festival "Balanchine: The City Center Years", Tarantella was performed by Anna Rose O'Sullivan and Marcelino Sambé, both from The Royal Ballet. [11] New York City Ballet released a 2013 video recording of the ballet, featuring Megan Fairchild and Joaquín De Luz, in response to the coronavirus pandemic. [12]