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'The Heavenly Lord of Dao and its Virtue'), also known as Taishang Laojun (Chinese: 太上老君; lit. 'The Supreme Venerable Sovereign') is a high Taoist god. He is the Taiqing (太清, lit. the Grand Pure One) which is one of the Three Pure Ones , the highest immortals of Taoism.
Hongjun Laozu (simplified Chinese: 鸿钧老祖; traditional Chinese: 鴻鈞老祖; pinyin: Hóngjūn Lǎozǔ; Wade–Giles: Hung-chün Lao-tsu) lit. "Ancestor of the Great Balance" is a deity in Chinese folk religion and Taoism, teacher of the Three Pure Ones in Taoist mythology.
However this trap could be destroyed by Yuanshi Tianzun and Taishang Laojun assisted by Jieyin Daoren and Zhunti Daoren (both from the Western Paradise, or the Buddhist heaven). Tongtian Jiaozhu then made an even more deadly trap named Wan Xian Zhen (ten thousand immortal slaughtering trap), but once again his scheme was thwarted by Chan and ...
Schools of Taoist thought developed around each of these deities. Taoist Alchemy was a large part of these schools, as each of the Three Pure Ones represented one of the three essential fields of the body: jing, qi and shen. The congregation of all three Pure Ones resulted in the return to Tao. The first Pure One is universal or heavenly chi.
Sìmiànshén (四面神, "Four-Faced God"), but also a metaphor for "Ubiquitous God": The recent cult has its origin in the Thai transmission of the Hindu god Brahma, but it is also an epithet of the indigenous Chinese god Huangdi who, as the deity of the centre of the cosmos, is described in the Shizi as "Yellow Emperor with Four Faces ...
Taoist music is the ceremonial music of Taoism. The importance of music in Taoist ceremony is demonstrated by revealing how central beliefs are reflected through elements of music such as instrumentation and rhythm. Expression of spiritual beliefs through music enables followers of Taoism to enhance their path to enlightenment.
Bagua diagram from Zhao Huiqian's (趙撝謙) Liushu benyi (六書本義, c. 1370s).. The Daodejing (also known as the Laozi after its purported author, terminus ante quem 3rd-century BCE) has traditionally been seen as the central and founding Taoist text, though historically, it is only one of the many different influences on Taoist thought, and at times, a marginal one at that. [12]
The Encyclopedia of Taoism (London: Routledge, 2008), 1114–1115. Kohn, Livia and Michael LaFargue eds. Lao-Tzu and the Tao-Te-Ching. Albany: State University of New York, 1998. Mather, Richard. "K'ou Ch'ien-chih and the Taoist Theocracy at the Northern Wei court 425-451" In Facets of Taoism, edited by Holmes Welch and Anna Seidel, 103–133 ...