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[2] The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [ 3 ] ), Encyclopedia of Guitar Chord Inversions , Mel Bay's Deluxe Guitar Scale Book , Encyclopedia of Jazz Guitar Runs, Fills, Licks ...
Typically, it refers to a note shared between two chords in a chord progression. According to H.E. Woodruff: Any tone contained in two successive chords is a common tone. Chords written upon two consecutive degrees of the [diatonic] scale can have no tones in common. All other chords [in the diatonic scale] have common tones.
[50] [h] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is lowered by an octave. [ 50 ] [ 52 ] [ 53 ] Drop-two chords are used for sevenths chords besides the major–minor seventh with dominant function, [ 54 ] which are discussed in ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
chords are shown by grouping notes with parentheses (2 3) = blow the 2 hole and the 3 hole at the same time Chromatic Harmonica tablature 2 = blow the 2 hole -2 = draw the 2 hole <2 = blow the 2 hole with the button in <-2 = draw the 2 hole with the button in. Here is an example of harmonica tablature: "Mack the Knife" C Diatonic
To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [26] which are sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths tuning. [27]
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