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An image of the Indian rhinoceros, the image has such force that it remains one of his best-known and was still used in some German school science text-books as late as last century. [12] In the years leading to 1520 he produced a wide range of works, including the woodblocks for the first western printed star charts in 1515 [ 28 ] and ...
The central panel, portraying the Sorrowing Mother, arrived in the Bavarian museum from the Benediktbeuren convent of Munich in the early 19th century. It was restored in the 1930s: once the overpaintings and additions were removed, the shell-shaped niche (a motif typical of Italian art), the halo and the sword (a symbol of Mary of the Seven ...
Hans Dürer was last known to have lived in Nuremberg in 1510. At some point he settled in Kraków, Poland. He was one of the artists hired by King Sigismund I to decorate the rooms of Wawel Castle, and in 1529 he was appointed court painter. His death is recorded as having occurred in 1534, however there is a record of payment for work at the ...
German art has a long and distinguished tradition in the visual arts, from the earliest known work of figurative art to its current output of contemporary art. Germany has only been united into a single state since the 19th century, and defining its borders has been a notoriously difficult and painful process.
Bergamo, Accademia Carrara (469 not found) 59 Portrait of Hans Tucher diptych, left wing back side: Combined Coat-of-Arms of the Tucher and Rieter Families: 1499: Oil on panel: 28 × 24: Weimar, Schlossmuseum, Klassik Stiftung Weimar : 60–61 Portrait of Felicitas Tucher (née Rieter) diptych, right wing: 1499: Oil on panel: 28 × 24
Self-Portrait (or Self-Portrait at Twenty-Eight) is a panel painting by the German Renaissance artist Albrecht Dürer. Completed early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. Art historians consider it the most personal, iconic and complex of these. [1]
The artist's mix of classical and sixteenth-century Nuremberg motifs and the northern European setting were utilised to bring the images closer to the audience. According to the critic Laurie Meunier Graves, "these prints manage to illuminate the sacred while at the same time providing scenes of homely, Renaissance life.
Portrait of the Artist Holding a Thistle (or Eryngium) is an oil painting on parchment pasted on canvas by German artist Albrecht Dürer. Painted in 1493, it is the earliest of Dürer's painted self-portraits and has been identified as one of the first self-portraits painted by a Northern artist. [ 1 ]