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Self-portrait, 1498. Museo del Prado, Madrid. Oil on wood panel, 52 cm x 41 cm. Self-portrait (or Self-portrait at 26) is the second of Albrecht Dürer's three painted self-portraits and was executed in oil on wood panel in 1498, after his first trip to Italy. In the depiction, Dürer elevates himself to the social position he believed suited ...
Self-portraits by young people inspired by Rembrandt's work are on display alongside the painting.
B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [46] The last etching but for two sketches, and one of the "official" etched self-portraits. [33]
Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".
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Another self-portrait from 1889, often called the Oslo self-portrait because it is owned by the Nasjonalmuseet in Norway, [12] was authenticated in 2020 by the Van Gogh Museum. [13] This painting, with the artist looking sideways, was painted while the artist was in the asylum in Saint-Rémy and is "unmistakeably" his work.
Self-Portrait (or Self-Portrait at Twenty-Eight) is a panel painting by the German Renaissance artist Albrecht Dürer. Completed early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. Art historians consider it the most personal, iconic and complex of these. [1]
The Self-portrait is commonly dated between 1504 and 1506. It measures 47.5 cm by 33 cm. It measures 47.5 cm by 33 cm. The portrait was noted in an inventory of the private collection of Duke Leopoldo de' Medici , completed in 1675, and later listed in the 1890 Uffizi inventory.
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