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The French Crown Jewels (French: Joyaux de la Couronne de France) and Regalia comprise the crowns, orb, sceptres, diadems and jewels that were symbols of Royal or Imperial power between 752 and 1870. These were worn by many Kings and Queens of France as well as Emperor Napoleon .
He contributed to French art historian Eugène Müntz's "Les Artistes Célèbres" in 1886. [13] In 1887, he notably published "Studies on French Goldsmithing in the 18th Century: The Germain, Goldsmiths-Sculptors of the King" (French: Etudes sur l'Orfèvrerie Française au XVIII siècle, Les Germain, orfèvres-scuplteurs du Roy).
A more obscure—and markedly less salacious—story involving Antoinette’s jewelry is that of an exquisite bracelet, made by Jean-Baptiste Mellerio and presented to the queen in 1780.
French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
The rivière became popular in the 18th century. In the earliest rivières, the stones were encased in settings with closed backings, and jewellers often strung the stones together on a cord or ribbon. In the 19th century a collet-set or prongs became the preferred settings for the stones. In these settings, the back is open, allowing the ...
One of the major production items of 18th century cut steel was the shoe buckle and it is possible that the decline in the fashion for wearing buckles towards the end of the century drove the diversification of cut steel jewellery. [7] A cut steel hairpin. France served as a major export market but this was interrupted when war broke out 1793. [8]
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