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The Romance of Lust, or Early Experiences is a Victorian erotic novel written anonymously in four volumes during the years 1873–1876 and published by William Lazenby. Henry Spencer Ashbee discusses this novel in one of his bibliographies of erotic literature. In addition the compilers of British Museum General Catalogue of Printed Books list ...
Lorna Doone: A Romance of Exmoor is a novel by R. D. Blackmore, first published in three volumes in London in 1869. It is a romance based on a group of historical characters and set in the late 17th century in Devon and Somerset , particularly around the East Lyn Valley area of Exmoor .
He was a book collector, writer and bibliographer, and, from the three volumes he published under his pseudonym Pisanus Fraxi, the expert on erotic books in his day. Gershon Legman was the first to link "Walter" and Ashbee, in his introduction to the 1962 reprints of Ashbee's bibliographies, and the 1966 Grove Press edition of My Secret Life ...
In 2001, historical romance reached a 10-year high as 778 were published. By 2004, that number had dropped to 486, which was still 20% of all romance novels published. Kensington Books claims that they are receiving fewer submissions of historical novels, and that their previously published authors are switiching to contemporary. [24] [25]
Download as PDF; Printable version; In other projects ... Pages in category "Victorian novels" ... The Romance of Lust; A Romance of Two Worlds; S.
Whereas romance and realism had traditionally been contradictory modes of literature, they were brought together in sensation fictionof the Victorian era – combining "romance and realism" in a way that "strains both modes to the limit". [72] [73] The loss of identity is seen in many sensation fiction stories because this was a common social ...
The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in between the early 1860s and mid to late 1890s, [1] centering taboo material shocking to its readers as a means of musing on contemporary social anxieties.
The novel builds on Fowles' authority in Victorian literature, both following and critiquing many of the conventions of period novels. [2] The book was the author's third, after The Collector (1963), and The Magus (1965). American Libraries magazine counted the novel among the "Notable Books of 1969". [3]
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