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There are also minor twelve-bar blues, such as John Coltrane's "Equinox" and "Mr. P.C.". [10] The chord on the fifth scale degree may be major (V 7) or minor (v 7). [10] Major and minor can also be mixed together, a signature characteristic of the music of Charles Brown. [11]
Although there are many possible progressions, in practice, progressions are often limited to a few bars' lengths and certain progressions are favored above others. There is also a certain amount of fashion in which a chord progression is defined (e.g., the 12-bar blues progression) and may even help in defining an entire genre. [citation needed]
Steedman (1984) [1] has proposed a set of recursive "rewrite rules" which generate all well-formed transformations of jazz, basic I–IV–I–V–I twelve-bar blues chord sequences, and, slightly modified, non-twelve-bar blues I–IV–V sequences ("rhythm changes"). The typical 12-bar blues progression can be notated
Eight-bar blues: I–V–IV–IV–I–V–I–V: 3: Major Folia: i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i: 4: Minor Irregular resolution (Type I: Two common tones, two note moves by half step motion) V7–III7: 2: Major Montgomery–Ward bridge: I–IV–ii–V: 4: Major ...
Instead of extending the first section, one adaptation extends the third section. Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
It can be played for the entire duration of a twelve bar blues progression constructed off the root of the first dominant seventh chord. For example, a C hexatonic blues scale could be used to improvise a solo over a C blues chord progression. The blues scale can also be used to improvise over a minor chord.
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One example of a widely used chord progression in Western traditional music and blues is the 12 bar blues progression. Although any chord may in principle be followed by any other chord, certain patterns of chords are more common in Western music, and some patterns have been accepted as establishing the key ( tonic note ) in common-practice ...