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Bald Mountain (Portuguese: Serra Pelada) is a 2013 Brazilian Western drama film co-written and directed by Heitor Dhalia, starring Juliano Cazarré, Júlio Andrade, Sophie Charlotte, Wagner Moura, and Matheus Nachtergaele.
"The Goof Who Sat By the Door" is the eighth episode of the fourth season of the American comedy-drama television series Atlanta. It is the 39th overall episode of the series and was written by supervising producer Francesca Sloane and Karen Joseph Adcock, and the final episode directed by series creator and lead actor Donald Glover.
The Roxy Theatre was a movie palace in Atlanta, Georgia. [1] It was notable for showcasing the original Atlanta runs of such films as Spartacus , the 1962 The Music Man , the Technicolor Mutiny on the Bounty with Marlon Brando , and My Fair Lady .
The A.V. Club said that Atlanta has "never felt more dangerous" than in "Teddy Perkins". [25] The New York Times praised the episode's deconstruction of classic horror movie tropes, [26] while Junkee lauded it as a "self-contained psychological horror flick", noting themes of child abuse and toxic masculinity. [19]
Cast: Kirsten Dunst, Nick Offerman, Cailee Spaeny. Rating: R for strong violent content, bloody/disturbing images, and language throughout. How to watch: In theaters Friday, April 12.
The Game, shot in Atlanta since moving to BET for the 2011 season - as of January 2012 the highest-rated ad-supported sitcom ever on cable [3] The Mo'Nique Show is filmed in Atlanta; The New Atlanta - an upcoming Bravo reality series set in Atlanta; The Real Housewives of Atlanta (series) The Rickey Smiley Show on TV One
"The Big Payback" is the fourth episode of the third season of the American comedy-drama television series Atlanta. It is the 25th overall episode of the series and was written by supervising producer Francesca Sloane, and directed by executive producer Hiro Murai.
Parker and Stone agreed during production of Team America that it was "the hardest thing [they'd] ever done." Rather than rely on computer-generated special effects added in post-production, the filmmakers vied to capture every stunt live on film. [11] Parker likened each shot to a complicated math problem. [13]