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"(I've Got) Beginner's Luck" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance, it was introduced by Fred Astaire. [5] It is a brief comic tap solo with cane where Astaire's rehearsing to a record of the number is cut short when the record gets stuck.
"Easy" is a song by American band Commodores from their fifth studio album, Commodores (1977), released on the Motown label. Group member Lionel Richie wrote "Easy" with the intention of it becoming another crossover hit for the group given the success of a previous single, "Just to Be Close to You", which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as ...
Three of the best-known poems in the collection are "Praise for Creation and Providence", "Against Idleness and Mischief", and "The Sluggard". [3] "Praise for Creation and Providence" (better known as "I sing the mighty power of God") is now a hymn sung by all ages. [4] "Against Idleness and Mischief" and "The Sluggard" (better known as "How ...
Easy Street is in thirty-two bar form [4] [5] and includes a melody that moves the title line to different pitches whenever it recurs in a phrase. [ 4 ] [ 1 ] The song is usually played with a slow, slightly swinging melody.
Published in 1935, the song was written for the 1935 film Mississippi starring Bing Crosby and W.C. Fields.Crosby introduced the song in the film and his recording for Decca Records made on February 21, 1935 with Georgie Stoll and his Orchestra and Rhythmettes and Three Shades of Blue [1] topped the charts of the day. [2]
Rap songs and grime contain rap lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression.
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The film juxtaposes these lyrics by presenting the song in the context of Tom, a character played by Carradine, who is a manipulative womanizer. In the film, when Tom performs the song at the Exit/In (a real-life Nashville music club where the scene was shot), he dedicates it to "a special someone". Several women in the audience, past, recent ...