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String instruments can also produce multiphonic tones when strings are bowed or hammered (as in piano multiphonics) between the harmonic nodes. This works best on larger instruments like double bass and cello. [1] Another technique involves the rotational oscillation mode of the string, which might be twisted to adjust the rotational tension.
For the double bass, thumb position is used when playing above one-lined G [citation needed] (on the third ledger line in bass clef notation for the double bass). To play passages in this register, the player shifts their hand out from behind the neck and flattens it out, using the side of the thumb to press down the string.
Guitar music indicates thumb, occasionally used to finger bass notes on the low E string, with a 'T'. Position may be indicated through ordinal numbers (e.g., "third" as opposed to "three") or (uncommon) Roman numerals. A string may also be indicated through Roman numerals, often I-IV, or by its open-string note.
The history of the double bass is tightly coupled to the development of string technology, as it was the advent [6] of overwound gut strings, which first rendered the instrument more generally practicable, as wound or overwound strings attain low notes within a smaller overall string diameter than non-wound strings. [18]
For example, the note "e", first string open, may be played, or "registered" on any string. The guitarist often has choices of where to "register" notes on the guitar based on: Ease of fingering. Beginners learn the open, first position before anything else and might be more comfortable registering notes on open strings in the first position.
Franz Simandl. Franz Simandl (August 1, 1840 – December 15, 1912) was a double-bassist and pedagogue from Austria-Hungary most remembered for his book New Method for String Bass, known as the "Simandl book", which is to this day used as a standard study of double bass technique and hand positions.
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