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The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn .
His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...
Wallpaper was often made in elaborate floral patterns with primary colors (red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan. This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns.
The largest picture print was The Triumphal Arch commissioned by the Holy Roman Emperor Maximilian I and completed in 1515. This measured a colossal 3.57 by 2.95 metres (11.7 by 9.7 ft), made up of 192 sheets, and was printed in a first edition of 700 copies, intended to be hung in palaces and, in particular, town halls, after hand-coloring.
William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, [1] writer, and socialist activist associated with the British Arts and Crafts movement.
Designs within the context of weaving are created using various types of yarns, using variance in texture, size, and color to construct a stylized patterned or monochromatic fabric. There is a large range of yarn types available to the designer, including but not limited to cotton , twill , linen , and synthetic fibers.
The 2 before the * says there is a 2-fold rotation centre with no mirror through it. The * itself says there is a mirror. The first 2 after the * says there is a 2-fold rotation centre on a mirror. The final 2 says there is an independent second 2-fold rotation centre on a mirror, one that is not a duplicate of the first one under symmetries.
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