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The Minotaur, oil on canvas, 188.1 cm × 94.5 cm (74.1 in × 37.2 in), Tate Britain. The Minotaur is an 1885 painting by the English painter George Frederic Watts.It depicts the Minotaur from Greek mythology as he waits for his young sacrificial victims to arrive by ship.
The Minotaur by George Frederic Watts, 1885. In the epilogue to his 1949 short-story collection The Aleph, Borges wrote that the inspiration for "The House of Asterion" and the "character of its sad protagonist" was The Minotaur, a painting completed in 1885 by English artist George Frederic Watts. [3]
This is a list of artists who were born in the Vietnam or whose artworks are closely associated with that country.. Artists are listed by field of study and then by family name in alphabetical order (review Vietnamese naming customs as the family name will display in the first name field, with exceptions including people of the diaspora), and they may be listed more than once on the list if ...
The Vietnam National Museum of Fine Arts (Vietnamese: Viện Bảo tàng Mỹ thuật Việt Nam; chữ Hán: 院寶藏美術越南) is located in Hanoi, Vietnam. It is a museum showcasing Vietnam's fine arts from a range of historical periods. [1] It is the country's primary art museum, the second being the smaller Ho Chi Minh City Museum of ...
Vietnamese silk painting is one of the most popular forms of art in Vietnam, favored for the mystical atmosphere that can be achieved with the medium. During the 19th and 20th centuries, French influence was absorbed into Vietnamese art and the liberal and modern use of color especially began to differentiate Vietnamese silk paintings from ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
In Greek mythology, the Minotaur [b] (Ancient Greek: Μινώταυρος, Mīnṓtauros), also known as Asterion, is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man [4] (p 34) or, as described by Roman poet Ovid, a being "part man and part bull".
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