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Flow blue vegetable server in the "Normandy" pattern produced by Staffordshire potter Johnson Brothers c. 1890. Most flow blue ware is a kind of transferware, where the decorative patterns were applied with a paper stencil to often white-glazed blanks, or standard pottery shapes, though some wares were hand painted. The stencils burned away in ...
Serving plate with flow blue transfer printing, c. 1890 Two versions of the "Britannia" lavatory bowl, 1890s - 1905. Johnson Brothers was a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware.
Chinese blue and white export porcelain, with European scene and French inscription "The Empire of virtue is established to the end of the Universe", Kangxi period, 1690–1700 Chinese export porcelain includes a wide range of Chinese porcelain that was made (almost) exclusively for export to Europe and later to North America between the 16th ...
Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery , and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made ...
Syracuse China, located in Lyncourt, New York (a suburb of Syracuse), was a manufacturer of fine china. Founded in 1871 as Onondaga Pottery Company (O.P. Co.) in the town of Geddes, the company initially produced earthenware; in the late 19th century, O.P.Co., began producing fine china, for which it found a strong market particularly in hotels, restaurants, and railroad dining cars.
Chu Đậu village in Hải Dương province was the major ceramic manufacturer [26] From 1436 to 1465, China’s Ming dynasty abruptly ceased trade with the outside world, creating a commercial vacuum that allowed Vietnamese blue-and-white ceramics to monopolize the markets for sometimes, especially in Maritime Southeast Asia.
The Blue Onion pattern was designed by Johann Gregor Herold in 1739 likely inspired by a Chinese bowl from the Kangxi period. The pattern it was modelled after by Chinese porcelain painters, featured pomegranates unfamiliar in Saxony, so the plates and bowls produced in the Meissen factory in 1740 created their own style and feel.
Blue Willow china and its legends appear in Lee Blessing's play Going to St. Ives. In Terry Pratchett's novel Interesting Times, an oriental artist is about to paint (on a plate) a picture of a garden scene when some sumo wrestlers and guards come crashing through and destroy his entire palette except for blue. He resolves to paint, in just ...