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The argument from reason is a transcendental argument against metaphysical naturalism and for the existence of God (or at least a supernatural being that is the source of human reason). The best-known defender of the argument is C. S. Lewis .
The poem, initially untitled in manuscript form, was only published posthumously in Walter Hooper's critical edition The Collected Poems of C.S. Lewis, and is entitled therein "Reason". [1] It has been suggested that a more correct title would be "Reason and Imagination". [2]
"The war, the whole of life, everything tended to seem pointless. We needed, many of us, a key to the meaning of the universe. Lewis provided just that." [53] The youthful Alistair Cooke was less impressed, and in 1944 described "the alarming vogue of Mr. C.S. Lewis" as an example of how wartime tends to "spawn so many quack religions and ...
Eerdmans paperback edition (1965) The Weight of Glory and Other Addresses is a collection of essays and addresses on Christianity by C.S. Lewis.It was first published as a single transcribed sermon, "The Weight of Glory" in 1941, appearing in the British journal, Theology, then in pamphlet form in 1942 by Society for Promoting Christian Knowledge, London.
The society was to follow the practice of Socrates to "follow the argument wherever it led them." As all inter-college clubs at Oxford had to have a "senior member of the university" as a sponsor, Aldwinckle implored C. S. Lewis to be its first president. Lewis enthusiastically served as president from 1942 until he left for Cambridge in 1954 ...
The World's Last Night and Other Essays is a collection of essays by C. S. Lewis published in the United States in 1960. The title essay is about the Second Coming of Jesus Christ . The volume also contains a follow-up to Lewis' 1942 novel The Screwtape Letters in the form of " Screwtape Proposes a Toast ."
The Abolition of Man is a 1943 book by C. S. Lewis.Subtitled "Reflections on education with special reference to the teaching of English in the upper forms of schools", it uses a contemporary text about poetry as a starting point for a defense of objective value and natural law.
As an example of what poetry is about, Lewis cites a poem, part of William Wordsworth's Prelude. There is a personality in a poem, says Lewis, but we don't know whose. We meet the poet “only in a strained and ambiguous sense” (9f.). Especially in drama we meet the poet's creation rather than the poet.